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	<title>hyejinam</title>
	<link>https://hyejinam.org</link>
	<description>hyejinam</description>
	<pubDate>Wed, 14 Aug 2024 21:28:27 +0000</pubDate>
	<generator>https://hyejinam.org</generator>
	<language>en</language>
	
		
	<item>
		<title>Header</title>
				
		<link>https://hyejinam.org/Header</link>

		<pubDate>Wed, 04 Oct 2023 15:03:36 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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	HYEJI NAM
	
	Information,&#38;nbsp;Email
	Instagram︎︎︎






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	<item>
		<title>Header — mobile</title>
				
		<link>https://hyejinam.org/Header-mobile</link>

		<pubDate>Wed, 04 Oct 2023 15:03:36 +0000</pubDate>

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		<description>
	HYEJI NAM2027
Jan-March) Malt Air Residency, Ebeltoft, DE
April) The Club, produced by partnerincrime, co-produced by Donau Festival Krems, AT

2026
APRIL) MANSHIN: Reclaiming Ritual as Civic Performance in the Post-Digital Age - Oslo (AR@K symposium, 14-15 April 2026) APRIL) Sonice Markov Blanket: : MANSHIN, TOUCHED, and Worlding the Post-Digital Body - Ghent, (Orpheus Doctoral Conference, 16–17 April 2026)
AUG 3-5th) MANSHIN - Impulstanz Festival, Vienna, AT

Nov 13th) The Dinner, &#38;nbsp;Das Weisse Haus, Vienna, AT



2025
FEB) AI Wilding Lab Fellowship - CTM Festival, Berlin, GermanyFEB) TOUCHED, “iwillmedievalfutureyou” - Lilith Performance Studio, Malmö, Sweden
APRIL) MANSHIN - imagetanz Festival, Brut Nordwestbahnstrasse, Vienna, Austria
JUNE) MANSHIN - LISTE Art Basel, Basel, Swiss
JULY - AUG) Sodas 2123 Residency - Vilnius, Lithuania
SEPT) MANSHIN - AUDRA Festival, Kaunas Picture Gallery (M. K. Čiurlionis National Museum of Art), Kaunas, LithuaniaSEPT) “holding breaths” - Kunstverein Baden, Baden, Austria

	Information
Email
Instagram︎︎︎










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		<title>manshin 2 page </title>
				
		<link>https://hyejinam.org/manshin-2-page</link>

		<pubDate>Tue, 07 Jun 2022 15:37:40 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

		<guid isPermaLink="true">https://hyejinam.org/manshin-2-page</guid>

		<description>&#60;img width="5504" height="4035" width_o="5504" height_o="4035" data-src="https://freight.cargo.site/t/original/i/4b2ccd3cd1594a4f13af02410a6e727140afd3d63ee4ae5b3750277375a601ea/_DSC1310.jpg" data-mid="233205870" border="0"  src="https://freight.cargo.site/w/1000/i/4b2ccd3cd1594a4f13af02410a6e727140afd3d63ee4ae5b3750277375a601ea/_DSC1310.jpg" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/61b9e0ad46e7b0e66dc260c05a4bcedac15a521020b10c96124e7b820d6838fc/03042025_MANSHIN_031.jpg" data-mid="231698178" border="0"  src="https://freight.cargo.site/w/1000/i/61b9e0ad46e7b0e66dc260c05a4bcedac15a521020b10c96124e7b820d6838fc/03042025_MANSHIN_031.jpg" /&#62;&#60;img width="5511" height="3674" width_o="5511" height_o="3674" data-src="https://freight.cargo.site/t/original/i/807d2dfa0aa1461434fe4ef5a038d128ecbbeac8388fab220e8a54fab1e305d8/03042025_MANSHIN_033.jpg" data-mid="231698171" border="0"  src="https://freight.cargo.site/w/1000/i/807d2dfa0aa1461434fe4ef5a038d128ecbbeac8388fab220e8a54fab1e305d8/03042025_MANSHIN_033.jpg" /&#62;
photo by Karolina Miernik&#38;nbsp;


	Performance / Dance / Installation /Concert
‘MANSHIN’imagetanz Festival 2025

in English / Duration: 60 minutes{transformative forces} {Embodiment} {Speculative post-humanism}


Performance Teaser:
https://partnerincrime.eu/MANSHIN



Full Sound Track Link:
https://tendermatter.bandcamp.com/album/manshin

MANSHIN investigates the complexity of identity transfor- mation in the post-digital age. Powered by the synergy of visual and virtual ambiguity, Korean artist Hyeji Nam blends bodies, sound, and immersive atmospheres to lead audiences through shifting states of being and consciousness. Drawing on the ceremonial structure of Korean shamanic rituals, the tools of digital media and AI, and the expansion of Korean mythic motifs into virtual space, she builds a bridge between tradition and modernity—meditating on memory, presence, loss, and belonging at the crossroads of music, performance, and visual art.






	Part I

Part I unfolds in searing white light and near-silence: salt sifts onto the floor and Hyeji Nam’s breath fills the void. She emp- ties herself to host a procession of glitch‐masked heads that overwrite gender, age, species and other markers before dis-solving. Viewers hover between shrine and sci‐fi lab as identity flickers and reboots.

Part II

 A screen projects 3‐D avatar of Hyeji Nam; fog turns the image into a hovering hologram. Six ceiling speakers fill the corridor with an experi- mental, mantra‐like sound score. Water drops—one at first, then many—strike a drum in growing rhythm; each impact lights a 30 m green LED strip that guides the audience onward.


Part III happnes in darkness.Mirroring a Korean gut, Hyeji Nam joins an electronic musician Markus Steinkellner.Modular synth loops and drum machines spiral them into trance. Sub‐bass shakes the walls while razor‐thin beams of light slice the dark. At the climax their voices break through the electronics—raw chant and vocoder haze—then fade to silence, sealing the rite of departure.




	
	&#60;img width="3468" height="4859" width_o="3468" height_o="4859" data-src="https://freight.cargo.site/t/original/i/d65939d39a2ad51582ce92c3c7a58bcd4c9f54fda2104e1c34d8fb1f25644ae8/_DSC0163.jpg" data-mid="231801751" border="0"  src="https://freight.cargo.site/w/1000/i/d65939d39a2ad51582ce92c3c7a58bcd4c9f54fda2104e1c34d8fb1f25644ae8/_DSC0163.jpg" /&#62;
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		<title>manshin 3 </title>
				
		<link>https://hyejinam.org/manshin-3</link>

		<pubDate>Wed, 14 Aug 2024 20:10:23 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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	photo by Daria Savytska







	
	
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		<title>manshin new </title>
				
		<link>https://hyejinam.org/manshin-new</link>

		<pubDate>Fri, 01 Jul 2022 12:10:01 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/6a273a0bf54f169fed0f380c54f9af0b0fadceb5dd694b76bbd7a833add9ee27/03042025_MANSHIN_012.jpg" data-mid="231698895" border="0"  src="https://freight.cargo.site/w/1000/i/6a273a0bf54f169fed0f380c54f9af0b0fadceb5dd694b76bbd7a833add9ee27/03042025_MANSHIN_012.jpg" /&#62;
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&#60;img width="5358" height="3572" width_o="5358" height_o="3572" data-src="https://freight.cargo.site/t/original/i/f052ed743a8b1fd626186a1f43613836aa61d3dde07cf9808a4f5abbe6051816/03042025_MANSHIN_021.jpg" data-mid="231698913" border="0"  src="https://freight.cargo.site/w/1000/i/f052ed743a8b1fd626186a1f43613836aa61d3dde07cf9808a4f5abbe6051816/03042025_MANSHIN_021.jpg" /&#62;
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	photo by Karolina Miernik



CreditsConcept &#38;amp; choreography: Hyeji NamPerformance: Hyeji Nam, IDKLANGLighting design: Klimentina LiSound design / Composing: IDKLANG 
Masks: Una RyuCostume design: Pouran ParviziAdditional costume: Nina Mcnab, Markus Steinkellner Light object &#38;amp; coding: Jonas BohatschObject construction: Mathias Lenz, Larry Meyer3D Character Design: NIVVA 
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ac1245d01dd7ca74664ee370c23311edf35ab36dfefedbeefe82aa0943914f12/HYEJI_SQ2.2779.PNG" data-mid="231699214" border="0"  src="https://freight.cargo.site/w/1000/i/ac1245d01dd7ca74664ee370c23311edf35ab36dfefedbeefe82aa0943914f12/HYEJI_SQ2.2779.PNG" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/edf975d7bf46b998f2c8d159534db3dd64557ab936003c746a813a69cca054da/HYEJI_SQ2.2180.PNG" data-mid="231699213" border="0"  src="https://freight.cargo.site/w/1000/i/edf975d7bf46b998f2c8d159534db3dd64557ab936003c746a813a69cca054da/HYEJI_SQ2.2180.PNG" /&#62;

Special thanks to Tender Matter for support and advice

A production by Hyeji Nam and partner in crime, in co-production with imagetanz 2025 / brut Wien

Funded by the City of Vienna’s Department of Cultural Affairs (MA 7), the Korea Cultural Centre of the Embassy of the Republic of Korea and the Austrian Federal Ministry of Art, Culture, Civil Service and Sport

The project is being realised as part of the K_on_temporary initiative by the Korean Culture Center.




	&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e7d30c77a3e2d0ed1f4bce418e3dc88eca0ef9fbdc3d1a2645c37229f462dc51/03042025_MANSHIN_022.jpg" data-mid="231698915" border="0"  src="https://freight.cargo.site/w/1000/i/e7d30c77a3e2d0ed1f4bce418e3dc88eca0ef9fbdc3d1a2645c37229f462dc51/03042025_MANSHIN_022.jpg" /&#62;
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		<title>02 copy</title>
				
		<link>https://hyejinam.org/02-copy</link>

		<pubDate>Wed, 14 Aug 2024 20:52:54 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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		<description>
	‘Choir of Kin’, Immersive, Audio-Visual Performance/Installation, as part of a collective Transformative Narratives(founded by Tony Wagner and Lena Kuzmilch)&#38;nbsp;
Imagetanz Festival 2024&#38;nbsp;


&#60;img width="5464" height="8192" width_o="5464" height_o="8192" data-src="https://freight.cargo.site/t/original/i/e8c161e8b8c671411125bd8558e3f5dcc4e6102756bedf72b9fb2f973698d06e/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9726.jpg" data-mid="216373535" border="0"  src="https://freight.cargo.site/w/1000/i/e8c161e8b8c671411125bd8558e3f5dcc4e6102756bedf72b9fb2f973698d06e/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9726.jpg" /&#62;&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/f208264c84ff2c0792609afde331feb055fb8fdf679d995f54d705914c42ff27/IMG_5957.JPEG" data-mid="216373542" border="0"  src="https://freight.cargo.site/w/1000/i/f208264c84ff2c0792609afde331feb055fb8fdf679d995f54d705914c42ff27/IMG_5957.JPEG" /&#62;&#60;img width="8192" height="5464" width_o="8192" height_o="5464" data-src="https://freight.cargo.site/t/original/i/3a4f23a176e7765ab01a6a17b7d916324e7425675d00ea9292e769b7c65a3116/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9275.jpg" data-mid="216373538" border="0"  src="https://freight.cargo.site/w/1000/i/3a4f23a176e7765ab01a6a17b7d916324e7425675d00ea9292e769b7c65a3116/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9275.jpg" /&#62;&#60;img width="7811" height="5210" width_o="7811" height_o="5210" data-src="https://freight.cargo.site/t/original/i/49850b5d20e544851887bf33d91da3f03843f6f45a059fdd208d5f3d8fe2449d/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9243.jpg" data-mid="216373536" border="0"  src="https://freight.cargo.site/w/1000/i/49850b5d20e544851887bf33d91da3f03843f6f45a059fdd208d5f3d8fe2449d/choir_of_kin_brut_c_Ruiz_Cruz_HighRes_105A9243.jpg" /&#62;

	
Brut, Vienna, Austria&#38;nbsp;


&#60;img width="2500" height="1667" width_o="2500" height_o="1667" data-src="https://freight.cargo.site/t/original/i/1439d4e389e156118513eda7748adce47fc02eeb8042e8a0b1c3a5d320e93523/IMG_5958.JPEG" data-mid="216373544" border="0"  src="https://freight.cargo.site/w/1000/i/1439d4e389e156118513eda7748adce47fc02eeb8042e8a0b1c3a5d320e93523/IMG_5958.JPEG" /&#62;
	Credits

Photo by Marcella Ruiz Cruz&#38;nbsp;

Costume by @amaaenastudio
Choir of Kin is an immersive, audio-visual performance/installation by the collective Transformative Narratives. In the hall at brut nordwest, the voices of numerous lifeforms come together in a fictional habitat. The piece applies a queer understanding of kinship to research Choir of Kin is a resilient, yet dissonant system attempting to deal with ecological and cross-generational trauma.


Full Credits:&#38;nbsp;
https://brut-wien.at/en/Programme/Calendar/Programm-2024/03/Transformative-Narratives-Lena-Kuzmich-Tony-Wagner-Guests



	
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		<title>02 copy copy</title>
				
		<link>https://hyejinam.org/02-copy-copy</link>

		<pubDate>Wed, 14 Aug 2024 21:28:27 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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		<description>
	‘TOUCHED’,&#38;nbsp; Performance

This performance is a combination of Hyeji Nam’s original dance performance “TOUCHED-techno flesh”, with her sound piece"pleasing harmony" where she uses AI generated sounds as the core material. In this integrative performance titled “TOUCHED 2-pleasing harmony," Hyeji Nam orchestrates a mixture of flesh-inspired poetic gestures, sound experimentation, and the performative use of artificial intelligence in music. Anchored in the rhythmic foundation of 4-to-the-floor beats, the piece explores the rich intersection of music technology and the innate mechanisms of the human body. 

This performance uniquely combines pleasing harmonies and dissonances generated by AI, triggered by the tactile interaction of Nam's flesh and her vocalizations. These sonic elements, encompassing both unidentified voices and Nam's own, are intricately woven together, underscoring the artist's role as a live conductor. Using her body and movement, she navigates through space, her energy guiding to produce sounds that harmonize, diverge, and reconvene in unexpected ways. 


CLUB LIASON, Gwangju Biennale, Austrian Pavilion,&#38;nbsp; 2024&#38;nbsp;
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&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/80ea206fee0265389c667c76565c8d7e54b384ee79654ebb8e7ae22b198e2b44/Hyeji_9.JPG" data-mid="219962672" border="0"  src="https://freight.cargo.site/w/1000/i/80ea206fee0265389c667c76565c8d7e54b384ee79654ebb8e7ae22b198e2b44/Hyeji_9.JPG" /&#62;

	
Lee Kang Ha Art Museum, Gwangju, South Korea&#38;nbsp;
Gwangju Biennale, Austrian Pavilion, 2024&#38;nbsp;










&#60;img width="5902" height="3935" width_o="5902" height_o="3935" data-src="https://freight.cargo.site/t/original/i/ddc4d2c83ee9bed96ba5e0209ae4a3cf1239afe00124d7b8b453ca805616004e/Hyeji_13.JPG" data-mid="219963320" border="0"  src="https://freight.cargo.site/w/1000/i/ddc4d2c83ee9bed96ba5e0209ae4a3cf1239afe00124d7b8b453ca805616004e/Hyeji_13.JPG" /&#62;
	Credits

Photo by Gabjoo Ahn&#38;nbsp;

Performance as part of CLUB LIAISON, an exhibition space of Liesl Raff, performance program curated by Carolina Nöbauer.&#38;nbsp;


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		<title>02</title>
				
		<link>https://hyejinam.org/02</link>

		<pubDate>Wed, 04 Oct 2023 15:03:37 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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	Live Concert
Unsafe and Sound Festival, ‘Hope,a politics of healing’, 2023 


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Zacherlfabrik, Vienna, Austria, 2023


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	Credits

Photo by Jonas Bohatsch 

Costume by Pouran Parvizi




	
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		<title>02 copy</title>
				
		<link>https://hyejinam.org/02-copy</link>

		<pubDate>Wed, 14 Aug 2024 20:52:12 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

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	‘Fly like a worm, sing like a snail - however they left, with the rattling sound of the bones breaking down’,
Multi-media Installation with Sound, and Performance

2021


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&#60;img width="6000" height="4004" width_o="6000" height_o="4004" data-src="https://freight.cargo.site/t/original/i/0e3cf1985194c8b0673fac204535109b221529654add4574839bfe7a9cfc54ef/joanna-pianka4.jpeg" data-mid="216850197" border="0"  src="https://freight.cargo.site/w/1000/i/0e3cf1985194c8b0673fac204535109b221529654add4574839bfe7a9cfc54ef/joanna-pianka4.jpeg" /&#62;&#60;img width="6000" height="4004" width_o="6000" height_o="4004" data-src="https://freight.cargo.site/t/original/i/dd9a2d95e688fe8fb1f39a75ac7052a824ee383c44e136d0be8fb77312105f06/joanna-30.jpeg" data-mid="216850277" border="0"  src="https://freight.cargo.site/w/1000/i/dd9a2d95e688fe8fb1f39a75ac7052a824ee383c44e136d0be8fb77312105f06/joanna-30.jpeg" /&#62;

	
das weisse haus, Vienna, Austria, 2021



	Credits

Photo by Joanna Pianka &#38;nbsp;
Performers: &#38;nbsp;Anna Mutschlechner-Dean, Boeser Reupel, Mirabella Paida Mwoyo Dziruni

3D graphics by Maximilian Prag, Aliya&#38;nbsp;Nurgaliyeva

Dwelling on the liminal space between word and perception, Hyeji Nam’s multi-faceted work explores theconditions for sensing and engaging with the world. Unfolding in video, text, qr-code, photography and

performance, Hyeji Nam’s installation traces the contours of perceived intimacy with one’s own body and proposesa speculative vocabulary for an embodied, poetic language of intimacy. Hyeji Nam’s accompanying poem is alsoavailable on www.dwhx.space

- das weisse haus



&#60;img width="3558" height="2004" width_o="3558" height_o="2004" data-src="https://freight.cargo.site/t/original/i/73a4b9662a641c37fcba99c946736b7b9edc1a261eab0fd5380d4d72f5f27442/video-still_4.png" data-mid="216849812" border="0"  src="https://freight.cargo.site/w/1000/i/73a4b9662a641c37fcba99c946736b7b9edc1a261eab0fd5380d4d72f5f27442/video-still_4.png" /&#62;&#60;img width="6000" height="4004" width_o="6000" height_o="4004" data-src="https://freight.cargo.site/t/original/i/4115531fc0255667ef2840f93a33f3843e7c4e2d0a87356787831f9d0e4c73af/joanna-46.jpeg" data-mid="216850251" border="0"  src="https://freight.cargo.site/w/1000/i/4115531fc0255667ef2840f93a33f3843e7c4e2d0a87356787831f9d0e4c73af/joanna-46.jpeg" /&#62;&#60;img width="6000" height="4004" width_o="6000" height_o="4004" data-src="https://freight.cargo.site/t/original/i/a41d0f2cca4b1829c797e05d6f336607d85aa0188bc922e237a81d947e9fe33c/joanna-44.jpeg" data-mid="216850276" border="0"  src="https://freight.cargo.site/w/1000/i/a41d0f2cca4b1829c797e05d6f336607d85aa0188bc922e237a81d947e9fe33c/joanna-44.jpeg" /&#62;&#60;img width="2804" height="1806" width_o="2804" height_o="1806" data-src="https://freight.cargo.site/t/original/i/db294e385645e9ebedc503c3982bed1a25fa7c2bc0922b083358c84dbf8d5dc7/3.png" data-mid="216850285" border="0"  src="https://freight.cargo.site/w/1000/i/db294e385645e9ebedc503c3982bed1a25fa7c2bc0922b083358c84dbf8d5dc7/3.png" /&#62;
&#60;img width="4004" height="6000" width_o="4004" height_o="6000" data-src="https://freight.cargo.site/t/original/i/37c37bebe36497c9dd1b36eafea01bc4e73b211b0bc4bd180308a6ba9557bf50/joanna-pianka-24.jpeg" data-mid="216850286" border="0"  src="https://freight.cargo.site/w/1000/i/37c37bebe36497c9dd1b36eafea01bc4e73b211b0bc4bd180308a6ba9557bf50/joanna-pianka-24.jpeg" /&#62;


	&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ab973e75c82db7a27c5e8f1e69ba2ea0322e65cadd7380cb19e6ed79ab7582dc/credits.theresa-wey.jpg" data-mid="216849713" border="0"  src="https://freight.cargo.site/w/1000/i/ab973e75c82db7a27c5e8f1e69ba2ea0322e65cadd7380cb19e6ed79ab7582dc/credits.theresa-wey.jpg" /&#62;
Exhibition View from Group exhibition „connections unplugged, bodies rewired“

Photo by&#38;nbsp;Theresa Wey
mit Johanna Bruckner, Debby Friday, Daniela Grabosch, Daniela Grabosch + Anna Thomas, Rindon Johnson, Sara Lanner, Martina Menegon, Hyeji Nam, Davinia-Ann Robinson und Ningli Zhukuratiert von Frederike Sperling




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	<item>
		<title>02 copy</title>
				
		<link>https://hyejinam.org/02-copy</link>

		<pubDate>Wed, 14 Aug 2024 20:10:59 +0000</pubDate>

		<dc:creator>hyejinam</dc:creator>

		<guid isPermaLink="true">https://hyejinam.org/02-copy</guid>

		<description>
	360 Video with Sound and Text
The Bones, 2022


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	Credits

3D graphics by Maximilian Prag&#38;nbsp;



















	&#60;img width="3507" height="4966" width_o="3507" height_o="4966" data-src="https://freight.cargo.site/t/original/i/bbd54bdabd001b3e9186f6d59df269630e38250c34a7d2689ad75680d8241f48/hyeji_poster_jpeg.jpg" data-mid="216850570" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/bbd54bdabd001b3e9186f6d59df269630e38250c34a7d2689ad75680d8241f48/hyeji_poster_jpeg.jpg" /&#62;
Poster exhibited at&#38;nbsp;

‘40 Years Anniversery’, Foto Galeri Wien, Vienna, Austria

&#60;img width="300" height="300" width_o="300" height_o="300" data-src="https://freight.cargo.site/t/original/i/beece30ff6a6972d258269793137ca5ae3975e1abb8bad8bea005fc0767bc938/qrcode_soundwork.png" data-mid="216850578" border="0" data-scale="23" src="https://freight.cargo.site/w/300/i/beece30ff6a6972d258269793137ca5ae3975e1abb8bad8bea005fc0767bc938/qrcode_soundwork.png" /&#62;</description>
		
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