‘Choir of Kin’, Immersive, Audio-Visual Performance/Installation, as part of a collective Transformative Narratives(founded by Tony Wagner and Lena Kuzmilch)
Imagetanz Festival 2024
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Imagetanz Festival 2024
Brut, Vienna, Austria
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Credits
Photo by Marcella Ruiz Cruz
Costume by @amaaenastudio
Choir of Kin is an immersive, audio-visual performance/installation by the collective Transformative Narratives. In the hall at brut nordwest, the voices of numerous lifeforms come together in a fictional habitat. The piece applies a queer understanding of kinship to research Choir of Kin is a resilient, yet dissonant system attempting to deal with ecological and cross-generational trauma.
Full Credits:
https://brut-wien.at/en/Programme/Calendar/Programm-2024/03/Transformative-Narratives-Lena-Kuzmich-Tony-Wagner-Guests
Photo by Marcella Ruiz Cruz
Costume by @amaaenastudio
Choir of Kin is an immersive, audio-visual performance/installation by the collective Transformative Narratives. In the hall at brut nordwest, the voices of numerous lifeforms come together in a fictional habitat. The piece applies a queer understanding of kinship to research Choir of Kin is a resilient, yet dissonant system attempting to deal with ecological and cross-generational trauma.
Full Credits:
https://brut-wien.at/en/Programme/Calendar/Programm-2024/03/Transformative-Narratives-Lena-Kuzmich-Tony-Wagner-Guests
‘Fly like a worm, sing like a snail - however they left, with the rattling sound of the bones breaking down’,
Multi-media Installation with Sound, and Performance
2021
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Multi-media Installation with Sound, and Performance
2021
das weisse haus, Vienna, Austria, 2021
Credits
Photo by Joanna Pianka
Performers: Anna Mutschlechner-Dean, Boeser Reupel, Mirabella Paida Mwoyo Dziruni
3D graphics by Maximilian Prag, Aliya Nurgaliyeva
Dwelling on the liminal space between word and perception, Hyeji Nam’s multi-faceted work explores the
conditions for sensing and engaging with the world. Unfolding in video, text, qr-code, photography and
performance, Hyeji Nam’s installation traces the contours of perceived intimacy with one’s own body and proposes
a speculative vocabulary for an embodied, poetic language of intimacy. Hyeji Nam’s accompanying poem is also
available on www.dwhx.space
- das weisse haus
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Photo by Joanna Pianka
Performers: Anna Mutschlechner-Dean, Boeser Reupel, Mirabella Paida Mwoyo Dziruni
3D graphics by Maximilian Prag, Aliya Nurgaliyeva
Dwelling on the liminal space between word and perception, Hyeji Nam’s multi-faceted work explores the
conditions for sensing and engaging with the world. Unfolding in video, text, qr-code, photography and
performance, Hyeji Nam’s installation traces the contours of perceived intimacy with one’s own body and proposes
a speculative vocabulary for an embodied, poetic language of intimacy. Hyeji Nam’s accompanying poem is also
available on www.dwhx.space
- das weisse haus
Exhibition View from Group exhibition „connections unplugged, bodies rewired“
Photo by Theresa Wey
mit Johanna Bruckner, Debby Friday, Daniela Grabosch, Daniela Grabosch + Anna Thomas, Rindon Johnson, Sara Lanner, Martina Menegon, Hyeji Nam, Davinia-Ann Robinson und Ningli Zhu
kuratiert von Frederike Sperling